Literature

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Revolution Rekindled: The Writers and Readers of Late Soviet Biography

Published by Anonymous (not verified) on Fri, 07/02/2020 - 9:30pm in

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Literature, Russia

Book at Lunchtime: Revolution Rekindled: The Writers and Readers of Late Soviet Biography Polly Jones offers the first ever archival and oral history study of Brezhnev-era publishing and propaganda production, highlighting the consistent pressure throughout late socialism to find new forms of propaganda and inspiring 'revolutionary' narratives, and challenges the widespread idea that these became 'standardised' and 'stagnant' soon after Stalin's death. Jones reveals the vitality and popularity of late Soviet culture, especially biography and historical fiction. She emphasises that both writers and readers found in late Soviet 'official' publishing opportunities to reflect on complex questions of Russian and Soviet history and identity and employs extensive new archival material, and oral history interviews with some of the leading literary and cultural figures of the Brezhnev era.
Panel includes: Dr Katherine Lebow, Professor Ann Jefferson and Professor Stephen Lovell

Princeton University Press Lectures in European History and Culture III: Stories for the future, and how to get there

Published by Anonymous (not verified) on Fri, 20/12/2019 - 11:37pm in

Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, gives the third and final lecture in the Princeton University Press Lectures in European History and Culture. Based on the history of world literature presented in the first two lectures, Martin Puchner will seek to draw conclusions about the role of the humanities today. What he have in mind is something that might be called applied humanities. Scientists and policy makers have struggled to turn knowledge about global challenges, from climate change to the future of the European Union, into meaningful action.

But in order to motivate action, we need more than facts; we need stories. How can the history of storytelling help us meet this need? And what types of stories should we develop to meet these challenges?

The guest speaker for this event is Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University. His writings, which include a dozen books and anthologies and over sixty articles and essays, range from philosophy and theater to world literature and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His most recent book, The Written World, which tells the story of literature from the invention of writing to the Internet, has been widely reviewed in The New York Times, The Times (London), the Financial Times, The Times Literary Supplement, The Atlantic, The Economist, among others, covered on radio and television, and is forthcoming in over a dozen languages. In hundreds of lectures and workshops from the Arctic Circle to Brazil and from the Middle East to China, he has advocated for the arts and humanities in a changing world.

Princeton University Press Lectures in European History and Culture II:Think Big! A modest argument about large scales

Published by Anonymous (not verified) on Fri, 20/12/2019 - 11:33pm in

Martin Puchner gives the second lecture in the Princeton University Press Lectures in European History and Culture. The idea of world literature contains an argument in favor of large-scale comparative projects. But most humanities disciplines have shied away from these sorts of projects, deterred by a skepticism with respect to grand narratives and worries about Eurocentric universalism. In this context, other disciplines from physics to biology have taken over the job of telling overarching stories.

Martin Puchner will argue that much gets lost when we neglect the big picture. But how should we humanists proceed, taking into account decades of critique? Through what kinds of collaborations can we insert what we know into the narratives our societies tell? In making this argument, Professor Puchner will be drawing on his experience with the Norton Anthology of World Literature.

Princeton University Press Lectures in European History and Culture I: The Challenge of World Literature

Published by Anonymous (not verified) on Fri, 20/12/2019 - 11:31pm in

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Literature

Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, gives the first of the Princeton University Press Lectures. On January 31st, 1827, the German writer Johann Wolfgang von Goethe shocked his secretary by uttering a new word: world literature. Goethe had just read a Chinese novel and concluded that Europe needed to rethink its relation to the rest of the world. Humanity was entering a new phase: the phase of world literature.

Coined in provincial Weimar, the idea of world literature soon caught the imagination of Marx and Engels and was subsequently used by those seeking to promote national literatures, from Yiddish to South Asia, within an international context. What can we learn from this history? And what does the term world literature mean today?

The guest speaker for this event is Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University. His writings, which include a dozen books and anthologies and over sixty articles and essays, range from philosophy and theater to world literature and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His most recent book, The Written World, which tells the story of literature from the invention of writing to the Internet, has been widely reviewed in The New York Times, The Times (London), the Financial Times, The Times Literary Supplement, The Atlantic, The Economist, among others, covered on radio and television, and is forthcoming in over a dozen languages. In hundreds of lectures and workshops from the Arctic Circle to Brazil and from the Middle East to China, he has advocated for the arts and humanities in a changing world.

Book at Lunchtime: India, Empire and First World War Culture

Published by Anonymous (not verified) on Wed, 20/11/2019 - 11:00am in

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Literature, India, War

TORCH Book at Lunchtime event on India, Empire and First World War Culture by Professor Santanu Das. Held on 20th November 2019. Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914-1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys and labourers, men and women, nationalists, artists, and intellectuals, trying to make sense of home and the world in times of war.

Panel commentators will include Dr Yasmin Khan, Professor Laura Marcus, and Professor Jay Winter.

Supriya Chaudhuri, Significant Lives: biography, autobiography, gender, and women's history in South Asia

Published by Anonymous (not verified) on Tue, 19/11/2019 - 12:25am in

Chaired by Elleke Boehmer.

How to write a southern life: Ethics and writing practices

Published by Anonymous (not verified) on Tue, 19/11/2019 - 12:22am in

Eduardo Lalo, Elleke Boehmer, Jonny Steinberg and Premilla Nadasen give a talk for the Southern Biographies event. Chaired by, Hélène Neveu Kringelbach.

Southern Biographies: epistemologies, methodologies, theoretical perspectives

Published by Anonymous (not verified) on Mon, 18/11/2019 - 9:37pm in

Joy Owen, Marcio Goldman, Ramon Sarro and Santanu Das give talks as part of the Southern Biographies event. Chaired, Thomas Cousins.

Book at Lunchtime: Chaucer: A European Life

Published by Anonymous (not verified) on Sat, 16/11/2019 - 4:10am in

TORCH Book at Lunchtime event on Chaucer: A European Life by Professor Marion Turner. Book at Lunchtime is a series of bite-sized book discussions held fortnightly during term-time, with commentators from a range of disciplines. More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life-yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination.

Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales.

By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales.
Bart van Es is Professor of English Literature at the University of Oxford, focusing primarily on Spenser and Shakespeare. Bart is interested in connections between history writing and poetry in early modern England. In recent years his research has focused primarily on Renaissance drama and the material realities of London’s theatre world. The Cut Out Girl, his work of creative non-fiction on World War II in the Netherlands, won the 2018 Costa Book of the Year award.
Marion Turner is Associate Professor and Tutorial Fellow in English at Jesus College, University of Oxford. Marion’s research interests lie in late medieval secular literature and history, and she has published very widely on Chaucer, including two books and many articles. Chaucer: A European Life, was her first foray into biography, and she now teaches life-writing as well as medieval literature. Her next book is going to be a global history – or biography – of the Wife of Bath across time.
Helen Swift is Associate Professor of Medieval French at the University of Oxford. Having focused for several years on fifteenth-century literary defences of women, she now explores more broadly questions of narrative voice and identity in fourteenth- and fifteenth-century French literature. Her second book, Representing the Dead: Epitaph Fictions in Late-Medieval France examines voices and bodies speaking from beyond the grave and was runner-up for the Society for French Studies R. Gapper Book Prize in 2017.
John Watts is Professor of Later Medieval History at the University of Oxford and Chair of the History Faculty Board. John is interested in politics, political culture and political structures in later medieval England and Europe, between the 13th and the early 16th centuries. Most of his published work deals with later medieval English politics and political culture, but he has also written about politics in later medieval Europe.
Elleke Boehmer is Professor of World Literature in English at the University of Oxford, Director of the Oxford Centre for Life-Writing and was the Director of TORCH from 2015 to 17. She is a founding figure in the field of colonial and postcolonial studies, and internationally known for her research in anglophone literatures of empire and anti-empire. She is also a novelist and short story writer, most recently of The Shouting in the Dark.

Storming Utopia

Published by Anonymous (not verified) on Thu, 15/08/2019 - 1:09am in

Tags 

Literature, art

This event is an Oxford Public Engagement with Research and part of a Knowledge Exchange project. Organised by Professor Wes Williams (Faculty of Medieval and Modern Languages) and Richard Scholar (Faculty of Medieval and Modern Languages). Thomas More’s ground-breaking island fantasy, first published in 1516, asks us all what brave new world we are to wish for. What would a society better than ours look like? Who ought to be allowed in? And on what terms? These are More’s questions in Utopia, and they have never mattered more than today, as the UK prepares to pursue a political future outside the EU and walls go up in the US. It may seem timely to return to the traditional reading of More’s text as a blueprint for political change: Utopia tells, after all, how a peninsula cut itself off from the continent to make a better future as an island… Yet the name More created for his island – Utopia – means ‘no place’: the political message of More’s text is undermined by the surrounding irony that his brave new world is a Nowhere Island.

A group of East Oxford residents have come together to develop a creative contemporary response to More’s text and Shakespeare’s Tempest in the form of a new theatrical show, Storming Utopia, which they are performing at the Pegasus Theatre in Oxford and at the Fondazione Cini in Venice in 2017. This lunchtime discussion event builds on their perspectives and on the work of two Oxford researchers – Professor Richard Scholar and Professor Wes Williams – to explore what Utopia has meant since 1516, from Venice to Venezuela and beyond, and what it might mean here in Oxford in the age of Brexit. Participants will include: researchers working on the history of Utopian literature and thought from the Renaissance to the present day; writers, directors and facilitators working in the Oxford arts scene; members of the Storming Utopia project.

Speakers: James Attlee (author of Isolarion: A Different Oxford Journey); Sara-Louise Cooper (Caribbean Studies, Oxford); Euton Daley MBE (long term artistic director of Pegasus Theatre, now freelance performance poet and arts consultant) ; Erin Maglaque (History, Oxford); Amantha Edmead (Performer), Richard Scholar (French and Comparative Literature, Oxford); Wes Williams (French Literature, Oxford).

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