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Love and Technology: An Ethnography of Dating App Users in Berlin – review

Published by Anonymous (not verified) on Wed, 20/03/2024 - 9:57pm in

Fabian Broeker‘s Love and Technology: An Ethnography of Dating App Users in Berlin explores how dating apps mediate intimacy among young Berliners. Presenting an immersive ethnography of app usage, users’ experiences and perceptions and Berlin’s particular dating culture, Jiangyi Hong finds the book a rich work of contemporary digital anthropology.

Love and Technology: An Ethnography of Dating App Users in Berlin. Fabian Broeker. Routledge. 2023.

With the advent of digital communications technology, dating apps have provided new avenues for finding and nurturing romantic relationships, while also raising many critical questions for social scientists. A recent concern in digital anthropology is that of social relationships and interaction patterns. Intimacy, which people desire in their primary relationships, is now often mediated by dating apps that intervene in one’s lived experience. Fabian Broeker’s Love and Technology: An Ethnography of Dating App Users in Berlin is an immersive ethnography exploring the mediation of intimacy in personal relationships in Berlin.

Through a combination of digital ethnography and narrative methods, Broeker provides an in-depth exploration of the romantic lives of young, Berlin-based dating app users. The ethnographic research entailed online and offline participant observation of how young people in Berlin use dating apps and how the apps shape the experiences, behaviours and perceptions of individuals seeking romantic relationships, sexual experiences and love.

Broeker is primarily concerned with Tinder, Bumble, and OkCupid, the three most popular apps encountered in the fieldwork, and describes different dating experiences, finding that young people in Berlin often use more than one app. Throughout this study, Broeker mentions the notion of “affordances” (1), which occur when particular actions and social practices are made easier or preferable due to “a specific cultural context and setting” (2). Broeker foregrounds the affordances dating apps allow without neglecting the fluid relationship between the user, social and material environment, and technological artefacts.

‘Each app on a phone act[s] as a certain canvas of projection’ (25) that shapes and is interpreted based on young dating users’ own experiences, social circles, and cultural values.

In his fieldwork, Broeker explored what each dating app means to participants, the experiences each app could enable, and the coded notion of intimacy in each app (eg, Tinder is associated with primarily brief sexual encounters). Broeker unfolds the complex relationship between users and dating apps, paying particular attention to how “each app on a phone act[s] as a certain canvas of projection” (25) that shapes and is interpreted based on young dating users’ own experiences, social circles, and cultural values. Positioning dating app users alongside this understanding of intimacy, Broeker astutely observes that for these users, switching between different dating apps is not only about browsing their availability to chat with potential partners but also “symbolises about their own identity and the community their membership would align them with” (37).

As Broeker discusses, in the context of this affordance environment, it is worth considering how other forms of mediated communication affect the dating rituals of Berlin’s dating app users. Therefore, he acknowledges in the field survey the importance “within dating rituals of moving from dating apps to other communication services within the framework of users’ mobile devices and the particular social and technological implications of such transitions” (50). Using the term “ritual”, Broeker tends to view dating as an activity that entails multiple actions within underlying meanings and emphases, some being pivotal moments in the development of the relationship and intimacy. Broeker’s work continues along that trajectory, showing not only how the recognition of the courtship rituals inherent in the dating app affects young people in Berlin, but also the significance of traditionally gendered heterosexual dating rituals, (eg, men taking the initiative in dating).

One area where Broeker succeeds is his nuanced discussion of awareness of social manipulation of space (eg, date locations) and personal understandings of intimacy among dating app users in Berlin.

As Broeker contends, the city space is an important arena in which people use dating apps. That space is formed of social relations and carries a plethora of nuanced social cues and rituals. Broeker spent a lot of his time going to different participants’ workplaces or residences and completed interviews with participants in different streets and neighbourhoods. One area where Broeker succeeds is his nuanced discussion of awareness of social manipulation of space (eg, date locations) and personal understandings of intimacy among dating app users in Berlin. This is significant because previous studies about users’ dating experiences often overlooked multiple interpretations of how people move in and choose to occupy cities. This book speaks directly to that aspect – for example, the perception of a user’s choice for a date location will affect people’s first dating impression; different places integrated into the self-presentation of impression management when people design their profiles; and the choice of the location of the first meeting is regarded as reflecting their personality. Therefore, as Broeker explains, city space is positioned as a stamp of dating users’ identity. How to interpret identity and project their values and desires into city space has become a key moment for users to consider on dating apps.

The dating culture of Berlin is included in the idea of an ‘anything is possible’ city hosting limitless hedonistic possibilities.

Berlin is not only a series of spaces but also an area for dating app users to explore and navigate, and it “is built upon a collective imagination” (133). Broeker interprets participants’ conversations and personal descriptions of the dating experience to show that the city is “a particularly free, inclusive and open metropolis”, giving Berlin “the reputation of a particularly free hedonistic paradise” (133). Therefore, the dating culture of Berlin is included in the idea of an “anything is possible” city hosting limitless hedonistic possibilities.

Another important contribution Broeker makes is his analysis of Berlin’s particular dating culture, with a broader understanding of the intimate relationships that the city’s youth form through dating apps. Broeker discusses Berlin’s unique dating culture through two practices, “stories” (119) and “screenshots” (123). Stories are a form of social currency in people’s social activities, traded in conversation. People share their dating experiences by talking with others and trying to narrate unique dating stories, a common topic in their social circles. Broeker suggests that some people even want to have bad experiences to attract others.

Broeker argues that while the app expands the interaction of potential partners, the use of apps limits the narrative of intimate relationships, making encounters less romantic and special.

Screenshots also play a role in dating experiences. Broeker points out that sharing screenshots is not only a central means by which dating users in Berlin communicate their dating experiences, but also a tool for Berlin young people to “see” dates through visual or textual images on communication platforms. This exploration of storytelling and screenshots circles back to a discussion of dating culture in Berlin. Broeker notes that although the dating app provides a tangible nucleus for users around which dating stories can be constructed and explored, respondents still focused on the idea of nostalgic romantic narratives. Thus, he argues that while the app expands the interaction of potential partners, the use of apps limits the narrative of intimate relationships, making encounters less romantic and special.

While the book’s in-depth presentation and excellent analysis of ethnographic details and theory are impressive, some readers may find its academic nature and use of technical terms difficult. Broeker’s assumption of some knowledge of academic discourse (such as the assumed knowledge of rituals of intimacy and academic definition of polymedia) may be off-putting and inaccessible for the general reader. Overall, Love and Technology is an intelligent and perceptive contribution to the field of digital anthropology. Readers can gain important insights into the intricate interplay between technology, culture and intimacy from Broeker’s work. This book will inspire and provoke thought, regardless of whether you are a scholar interested in modern intimacy and its relations to technology or a general reader interested in the ways that technology impacts our romantic lives.

Note: This post gives the views of the author, and not the position of the LSE Review of Books blog, or of the London School of Economics and Political Science.

Image credit: Studio Romantic on Shutterstock.

Homelands: A Personal History of Europe – review

Published by Anonymous (not verified) on Wed, 03/01/2024 - 10:42pm in

In Homelands: A Personal History of EuropeTimothy Garton Ash reflects on European history and political transformation from the mid-20th century to the present. Deftly interweaving analysis with personal narratives, Garton Ash offers a compelling exploration of recent European history and how its lessons can help us navigate today’s challenges, writes Mario Clemens.

Homelands: A Personal History of Europe. Timothy Garton Ash. The Bodley Head. 2023.

Find this book: amazon-logo

Cover of Homelands by Timothy Garton Ash showing a man and woman in a red and green car on the side of the road with elderly people and a blue sky and trees in the background.Almost ten years ago, I heard the then-German Foreign Minister (and current Federal President) Frank-Walter Steinmeier say that we have to prepare ourselves for the fact that in the near future, crises will become the norm. What sounded like a somewhat eccentric assessment now appears to be an apt description of our reality, including in Europe. How did we get here?

As Timothy Garton Ash argues in Homelands: A Personal History of Europe, Western Liberals made the mistake of relying on the unfounded assumption that history would simply continue to go their way. Post-cold-war-liberals failed, for example, to care enough about economic equality (237) and thus allowed Liberalism to make way for its ugly twin, Neoliberalism.

Western Liberals made the mistake of relying on the unfounded assumption that history would simply continue to go their way.

Whether we want to understand Islamist Terrorism, the rise of European right-wing populism, or Russia’s revanchist turn, in each case we find helpful hints in recent European history. What makes Garton Ash the ideal guide through the “history of the present” is his three-dimensional experience: that of a historian, a widely travelled and prominent journalist and a politically active intellectual.

What makes Garton Ash the ideal guide through the “history of the present” is his three-dimensional experience: that of a historian, a widely travelled and prominent journalist and a politically active intellectual.

Garton Ash started travelling across Europe fresh out of school, “working on a converted troopship, the SS Nevada, carrying British schoolchildren around the Mediterranean” (27). Aged 18, he was already keeping a journal on what he saw, heard and read.

He nurtured that journalistic impulse and soon merged it with a more active political one, eventually becoming the “engaged observer” (Raymond Aron) that he desired to be. In the early 1980s, he sat with workers and intellectuals in the Gdańsk Shipyard, where the Polish Solidarity movement (Solidarność) emerged. Later in the 1980s, he befriended Václav Havel, the Czech intellectual dissident and eventual President. Garton Ash chronicled and participated in the movement led by Havel, which successfully achieved the peaceful transition of Czechoslovakia from one-party communist rule to democracy. Since then, Garton Ash has consistently enjoyed privileged access to key political figures, such as Helmut Kohl, Madeleine Albright, Tony Blair and Aung San Suu Kyi. Simultaneously, he has maintained contact with so-called ordinary people. All the while, he has preserved the necessary distance intellectuals require to do their job, which in his view “is to seek the truth, and to speak truth to power” (173). His training as a historian, provides him with a broader perspective, which, in Homelands, allows him to arrange individual scenes and observations into an encompassing, convincing narrative.

Garton Ash has published several books focusing on particular themes, such as free speech, and events, such as the peaceful revolutions of 1989. In addition, he has published two books containing collected articles that cover a decade each. History of the Present: Essays, Sketches, and Dispatches from Europe in the 1990s and Facts are Subversive: Political Writing from a Decade without a Name, which covers the timespan between 2000 and 2010. Homelands now not only covers a larger timespan, the “overlapping timeframes of post-war and post-wall” (xi) – 1945 and 1989 to the present – but the chapters are also more tightly linked as had been possible in books that were based on previous publications.

By the second decade of the twenty-first century we had, for the first time ever, a generation of Europeans who had known nothing but a peaceful, free Europe consisting mainly of liberal democracies.

“Freedom and Europe” says Garton Ash, are “the two political causes closest to my heart” (xi), and he had the good fortune to witness a period where freedom was expanding within Europe. Now that history seems to be running in reverse gear, he worries that this new generation don’t quite realise what’s at stake: “By the second decade of the twenty-first century we had, for the first time ever, a generation of Europeans who had known nothing but a peaceful, free Europe consisting mainly of liberal democracies. Unsurprisingly, they tend to take it for granted’ (23-24).

Thus, one critical aim motivating Homelands is to convey to a younger generation what has been achieved by the “Europe-builders,” men and women who have been motivated by what Garton Ash calls the “memory machine,” the vivid memory of the hell Europe had turned itself into during its modern-day Thirty Years War (21-22). While nothing can equal this “direct personal memory,” he argues that there are other ways “in which knowledge of things past can be transmitted” – via literature, for instance, but also through history (24), especially when written well.

A gifted stylist, Garton Ash makes history come alive by telling the stories of individuals

A gifted stylist, Garton Ash makes history come alive by telling the stories of individuals, for instance, that of his East German friend, the pastor Werner Krätschell. On Thursday evening, 9 November 1989, Werner had just come home from the evening church service in East Berlin. When his elder daughter Tanja and her friend Astrid confirmed the rumour that the frontier to West Berlin was apparently open, Werner decided to see for himself. Taking Tanja and Astrid with him, he drove to the border crossing at Bornholmer Strasse. Like in a trance, he saw the frontier guard opening the first barrier. Next, he got a stamp on his passport – “invalid”. “‘But I can come back?’ – ‘No, you have to emigrate and are not allowed to re-enter,’” the border guard replied. Horrified because his two younger children were sleeping in the vicarage, “Werner did a U-turn inside the frontier crossing and prepared to head home. Then he heard another frontier guard tell a colleague that the order had changed: ‘They’re allowed back.’ So he did another U-turn, to point his yellow Wartburg again towards the West” (146).

History, written in this way, “as experienced by individual people and exemplified by their stories” (xiii), may indeed help us to “learn from the past without having to go through it all again ourselves” (24).

Though he emphasises the wealth, freedom and peace in late 20th-century Europe, Garton Ash also reminds us that post-war European history, even its “post-wall” period, is not an unqualified success story.

Though he emphasises the wealth, freedom and peace in late 20th-century Europe, Garton Ash also reminds us that post-war European history, even its “post-wall” period, is not an unqualified success story. Notably, right after the Cold War, there were the hot wars accompanying the dissolution of Yugoslavia. He regards the fact that the rest of Europe “permitted this ten-year return to hell” as “a terrible stain on what was otherwise one of the most hopeful periods of European history” (187).

Garton Ash is equally alert to the danger of letting one’s enthusiasm for Europe’s post-war achievements turn into self-righteousness. “That post-war Europe abjured and abhorred war would have been surprising news to the many parts of the world, from Vietnam to Kenya and Angola to Algeria, where European states continued to fight brutal wars in an attempt to hang on to their colonies” (327).

While such warnings qualify and differentiate Homelands’ central message – that today’s Europeans have much to lose – they do not reverse it. But knowing that one is bound to lose a lot can also have a paralysing effect, as many of my generation currently experience. Here again, history can help: to understand our present, we need to know what brought us here. Garton Ash is convinced that we can learn from history; he, for instance, claims that the rest of Europe should “learn the lessons of Brexit” (279).

Those who seek orientation through a better understanding of the past should turn to this extraordinary, eminently readable exploration of recent European history.

Homelands: A Personal History of Europe perfectly complements Tony Judt’s extensive Postwar (published in 2005). While Judt’s work offers a detailed and systematic account of European history after 1945, Garton Ash’s book seamlessly blends personal narratives, insightful analysis, and astute critique. Those who seek orientation through a better understanding of the past should turn to this extraordinary, eminently readable exploration of recent European history.

This post gives the views of the author, and not the position of the LSE Review of Books blog, or of the London School of Economics and Political Science. The LSE RB blog may receive a small commission if you choose to make a purchase through the above Amazon affiliate link. This is entirely independent of the coverage of the book on LSE Review of Books.

Image Credit: struvictory on Shutterstock.

Co-working Space / Arbeitsplatz Berlin-Kreuzberg

Published by Anonymous (not verified) on Wed, 14/10/2015 - 8:54pm in

Tags 

berlin, berlin

In einem schönen und hellen Büro in Kreuzberg sind ab sofort Arbeitsplätze frei. Gesucht werden Freelancer, die einen ruhigen Arbeitsplatz suchen und es auch gerne warm mögen ;-)

Das Büro befindet sich in der Nähe vom Görlitzer Bahnhof.

Ausstattung
Raum mit 5 Arbeitsplätzen, Besprechungsraum mit Besprechungstisch, WLAN, Telefon- und Faxflat ins deutsche Festnetz, vollausgestattete Küche, WC

KOSTEN: 280EUR (zzgl. 19% Mwst.) / Arbeitsplatz

WLAN, DSL, inklusive Strom, Nebenkosten, Reinigung

Fotos findet ihr unter Link