Rome
Book at Lunchtime: Ravenna: Capital of Empire, Crucible of Europe
TORCH Book at Lunchtime webinar on Ravenna: Capital of Empire, Crucible of Europe written by Professor Judith Herrin. Date: 4 November 2020.
Book at Lunchtime https://www.torch.ox.ac.uk/book-at-lunchtime is a series of bite-sized book discussions held weekly during term-time, with commentators from a range of disciplines. The events are free to attend and open to all.
About the book:
From 402 AD until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy. In Ravenna: Capital of Empire, Crucible of Europe, Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.
Author Judith Herrin won the Heineken Prize for History (the 'Dutch Nobel Prize') in 2016 for her pioneering work on the early Medieval Mediterranean world, especially the role of Byzantium, the influence of Islam and the significance of women. She is the author of Byzantium: The Surprising Life of a Medieval Empire, The Formation of Christendom, A Medieval Miscellany and Women in Purple. Herrin worked in Birmingham, Paris, Munich, Istanbul and Princeton before becoming Professor of Late Antique and Byzantine Studies at King's College London until 2008, where she is now the Constantine Leventis Visiting Senior Research Fellow in the Department of Classics.
Panel:
Peter Frankopan is Professor of Global History at Oxford University, where he is also Senior Research Fellow at Worcester College and Stavros Niarchos Foundation Director of the Oxford Centre for Byzantine Research. He works on the history of the Mediterranean, Russia, the Middle East, Persia/Iran, Central Asia and beyond, and on relations between Christianity and Islam. His books The Silk Roads (2015) and The New Silk Roads (2018) received huge acclaim. He writes regularly for the international press, advises governments on geopolitics, and is chair of this year's Cundill History Prize.
Professor Dame Averil Cameron was Warden of Keble College, Oxford from 1994-2010, and before that Professor of Late Antique and Byzantine History at King's College London where she was also the first Director of the Centre for Hellenic Studies. She has been President of CBRL (Council for British Research in the Levant) and FIEC (Fédération internationale des associations d'études classiques) and is currently President of the Society for the Promotion of Byzantine Studies.
Dr Conrad Leyser is Associate Professor of History at Oxford and a Fellow and Tutor of History at Worcester College. He specialises in the religious and social history of the Latin West in late Antiquity and the early Middle Ages (300-1100). His current research project centres on celibacy and the professionalisation of the priesthood in the so-called 'unreformed' Church of the tenth century. He is the author of Authority and Asceticism from Augustine to Gregory the Great and the co-editor of England and the Continent in the Tenth Century.
Derek Attridge 'The Experience of Poetry' Book Launch Panel Discussion
This event celebrates the publication of Professor Derek Attridge's work The Experience of Poetry with a book launch panel discussion. The Experience of Poetry asks, was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance?
This event is part of the 'Writers Make Worlds' series, Professor Attridge will offer a response to the panellists.
About the book:
In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.